Latin Jazz: the Other Jazz. Oxford University Press (forthcoming).

Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or just… Jazz: the politics of locating an intercultural music.” In Jazz/Not Jazz:  The Music and its Boundaries.
David Ake, Charles Garrett, David Goldmark, editors. University of California Press (forthcoming).

“Jazz Re/Bordered: Cultural Policy in Danish Jazz.” Jazz Perspectives (Summer 2010).

“Latin Music at the Apollo.” Ain’t Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment.
Edited by Richard Carlin and Kinshasha Holman Conwill. Washington D.C.: Smithsonian Books (2010): 220-225.

“Celia Cruz at the Apollo.” Ain’t nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment.
Edited by Richard Carlin and Kinshasha Holman Conwill. Washington D.C.: Smithsonian Books (2010): 226-228.

Sounding Salsa: Performing Latin Music in New York City.
Temple University Press, (2008).

Bad Music: The Music You Love to Hate.
(Co-Editor with Maiken Derno) Routledge Press, (2004). 

“Does Kenny G. Play Bad Jazz?: a case study.” In Bad Music: The Music You Love to Hate.
(Co-Editor with Maiken Derno) Routledge Press, (2004): 123-147.

“Masquerading Machismo: La India Transgendering on the Salsa Scene.”
Co-authored with Maiken Derno. Women In Performance 24, 12:2 (2002): 140-156.

“Salsa Romantica: an Analysis of Style, Sound Structure, and Contemporary Performance Practice.”
In Situating Salsa: Global Markets and Local Meanings in Latin Popular Music edited by Lise Waxer.  Routledge (2002): 101-134.

“Latin Jazz: the Other Jazz.” Current Musicology 71-73 (2001-2): 409-426.

“Nuyorican Son.” Current Musicology 67-68 (2001): 452-486.

“Miscellaneous Instruments in Jazz.”
In Jazz: A Reader’s Companion. Oxford University Press (2000): 653-667.

“Law of International Affairs.” Brøndums Danske Lov. Copenhagen: Brøndums (2000): 110-112.

“Con Filin: the expression and swing of Salsa.”  Latin American Music Review. Vol. 19, no. 2, Fall/Winter (1998): 160-183.

“The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music.”  Black Music Research Journal.  Vol. 17, No. 1 Spring (1997): 59-80.

“Dangers of Straddling the Picket Fence: Notes from a Participant Observer.” The Society for Ethnomusicology: Middle Atlantic Chapter Newsletter. Volume XV, Number 1, Spring (1996): 6.

“Clave: The African Roots of Salsa.” Kalinda!: Newsletter for the Center for Black Music Research, Fall (1995): 7-11. Reprinted in Clave (1) 2, (1998): 2-3.

Comments are closed.