Honored to received such a great review from Gary Walker at WBGO – a true hero and champion of jazz!
Honored to be featured on the Columbia U homepage! http://news.columbia.edu/oncampus/3709
SYOTOS’ “Stairway to Heaven” featured on NPR.com and review by Felix Contreras
This crazy, clever cover medley spans an entire musical universe, as it superimposes one of Duke Ellington’s sacred works (1968’s “Heaven”) over Led Zeppelin’s 1971 rock classic “Stairway To Heaven.” Trombonist Chris Washburne and his mighty See You On The Other Side miniature big band have released an album of inspired Latin jazz instrumental covers; titled Low Ridin’, it touches on ’70s-era rock songs by the likes of Neil Young, The Doors, Lou Reed and Jimi Hendrix.
I’ve always been moved by the emotion of Ellington’s music, so I had to pull the car over and listen closely the first time I heard this unlikely pairing, which brings out the inspired devotion in the melody beneath Jimmy Page’s bombastic chord progressions. The entire album works, but this track is a high-water mark for a great Latin jazz vet.
New fabulous review from Raul da Gama on http://jazzdagama.com/reviews/cds/chris-washburne-the-syotos-band-low-ridin/
This has to be the most hip album since “Low Ridin’” was first invented in the 50’s hydraulics and all. The fact that it has a Latin tinge adds to the mystique. Although this album is completely different from the five other albums made by The Syotos Band over two decades of its existence, it still is, to my mind, the finest volumes of the lot. The most immediate reason for this not-so-unexpected belief is the uncommonly articulate playing of The Syotos Band; the performance, for instance, of “Low Rider” an iconic song by War evinces a glowing dedication to the band and the low ridin’ movement, hydraulics included. The luminosity of texture, songful rapture and emotional clout—no matter how sardonic—mark it out as perhaps the most irresistible tracks on the album.
The recording undoubtedly gets its immediacy and nose for atmosphere from the notional leader, the spontaneously combustive trombonist who does not play so much as burn through the songs he has no doubt arranged. Mr. Washburne might doff his proverbial hat to the “blue” trombone of JJ Johnson, but he is his own man and full of surprises here: freewheeling on Bob Marley’s “Get Up, Stand Up”, searing and intense on “Stairway to Heaven” a mash-up between the Led Zeppelin classic and Duke Ellington’s “Heaven” from The Second Sacred Concert (1968) featuring Alice Babs. But so are the other players in The Syotos Band. Trumpeter John Walsh certainly turns on the heat every time he plays as does the saxophonist Ole Mathisen, who also contributes the whimsical composition “Syotomon” that ends the album. Before this towering climax, however, there is plenty of room for swing and swagger.
Two intriguing songs by Neil Young, the first being “Ohio” recalls with giddying eloquence the events that marked the Kent State shootings of 1970 when state troopers were called out to quell an anti-Vietnam War riot on that broke out on the campus; the second is “Sugar Mountain” a wistful recollection of Neil Young’s Winnipeg, Manitoba. The Syotos Band turns these songs into brilliantly elegiac music that might bring a lump to the throat if you grew up in Canada or were associated with the Anti-war protests of the late 60’s, or, quite simply a follower of the music of Crosby, Still, Nash and Young. At any rate, this music has been turned into something with piercing organic power just as the other songs on the album, especially Jimi Hendrix’s “Manic Depression” and Lou Reed and the Velvet Underground’s “Walk On The Wild Side”, both of which are purely magical.
Another rewarding aspect of Syotos records are their notes. If you were a baby boomer with an elephant’s memory then you might not need them, but I suspect that Chris Washburne and The Sysotos Band has built up a large following of new listeners, a repository of soul searchers who will not only find these notes informative and exciting, but a leaping point back into the 60’s and 70’s though not in a moldy fig sort of way, but in the manner of a voyage of discovery under the auspices of the spectacular music of this disc. Chris Washburne and The Syotos Band invite you on a journey that is meant to be a rite of passage for anyone interested in learning about what it meant to be hip back then… and now again, with Low Ridin’.
03/17/2016 - 03/20/2016
Chris Washburne at the Santa Cruz Jazz Festival and in residency at Cabrillo College
Chris Washburne with UHADI, the great South African Jazz Band at Bard College